Hands-On Research Conference

The Hands-On Research 2019 Conference aims to stimulate the discussion of ideas, practices, insights, outputs and developments in the field of artistic research. Originally conceptualised as a series of meetings focused on specific instrumental areas bridging the gap between artistic production and academic research, thus creating opportunities to combine artists’ and researchers’ knowledge, Hands-On Research has now expanded to encompass all artistic areas and will feature paper presentations, lecture-performances, round-table discussions and concerts.

Program

 

October 31st – November 3rd, 2019 – Hands-On Research Conference

Day 1

Hands-On Research Symposium
Time Thursday – 31/10
09:00-11:00 Registration and opening session (Recital – Ine Vanoveran)
11:00-12:30 Talk – Darla Crispin (Nowergian Academy of Music) – Auditório do DECA
12:30-14:00 Lunch
14:00-15:00 Recital: Felipe Garcia – flauta (Universidad Nacional de Colombia) – Auditório do DECA
15:30-16:00 Coffee Break
16:00-17:30 INDIVIDUAL SESSIONS (Chair: Jorge Salgado Correia) – Estúdio de som

Phytopoetic creation: contribution to a reflection on consciousness and ethical responsibility in musical performance (lecture-performance)
Marisa Ponce León (Universidade de Aveiro/INET-md – Portugal)

Awakening in a dream – An illustrated musical farytale (lecture-performance)
Karoline Baldez; Cassio Victor Carvalho; Deborah Oliveira (Universidade Federal do Piauí, Brazil)
17:30-18:00 Break
18:00-19:30 Recitals: Acoustic Hybrid Piano – 3CI

 

Day 2

Hands-On Research Symposium
Time Friday – 01/11
09:00-10:30 Talk – Johnathan Leathwood (Lamont School of Music, University of Denver) – 3CI
10:30-11:00 Cofffee break
11:00-12:30

INDIVIDUAL SESSIONS (Chair: Gilvano Dalagna) – Estúdio de Som

Jerzy Grotowski’s exercises: an experience with an amateur performance group (Paper)
Deborah Oliveira; Giuliana Dias (Universidade Federal do Piauí, Brazil)

Initial Directions in Artistic Research: Breathing Experiment (Paper)
Eilis O’Sullivan (Maynooth University/ CIT Cork School of Music, Ireland)

Inner and Outer Spaces – an awareness to achieve flow? (Paper)
Anders Hagberg (University of Gothenburg, Academy of Music and Drama, Sweden)
12:30-14:00 Lunch
14:00-15:30

INDIVIDUAL SESSIONS (Chair: Jorge Caryevschi) – EStúdio de Som

Winds and Tonal worlds – a reflective performance on sound, space and modality (lecture-performance)
Anders Hagberg (University of Gothenburg, Academy of Music and Drama, Sweden)

Japanese Hōgaku aesthetics as a means for interlocution in artistic creation (lecture-performance)
Horacio Curti Bethencourt (Universidade de Aveiro/INET-md, Portugal)
15:00-16:00 Coffee Break
16:00-17:30

Talk – Ian Pace (City University London) – CCCI
17.30-18:00 Break
18:00-19:30 Recitals: Martha Masters & Erato Alakiozidou – Auditório do DECA

 

Day 3

Hands-On Research Symposium
Time Saturday – 02/11
09:00-10:30 Lecture Masterclasses – Ian Pace (City University London) – Auditório do DeCA
10:30-11:00 Cofffee break
11:00-12:30

Roundtable – Auditório do DECA

Performing knowledge. The politics of artistic/performance research and the contribution of ethnomusicology

Brett Pyper (University of the Witwatersrand, South Africa), Ezra Abate (Addis Ababa University, Ethiopia), Wei-Ya Lin (University of music and performing arts Vienna, Austria), Susana Sardo (University of Aveiro, INET-md, Portugal).

Coordinator: Brett Pyper (University of the Witwatersrand, South Africa)
12:30-14:00 Lunch
14:00-15:00 Talk – Eric Esenvalds (Latvian Academy of Music) – Auditório da Reitoria
15:00-16:00 Coffee Break
16:00-17:30

INDIVIDUAL SESSIONS (Chair: Samuel Peruzzolo Vieira) – Estúdio de Som

Osculation – or – What is a Performer for? (Lecture-performance)
Barbara Lüneburg (Anton Bruckner Private University, Austria)

#dramaqueen: inclusive and accessible performative elements in ‘The Silenced’, a mono drama for flutist, by Jason Eckardt (lecture-performance)
Ine Vanoeveren (Royal Conservatoire Antwerp, Belgium)
17.30-18:00 Break
18:00-19:30 Recitals: Recitals: Pedro H. da Silva & Joana Sá – 3CI

 

 

Day 4

Hands-On Research Symposium
Time Sunday – 03/11
09:00-10:30 Talk – Lina Martinelli (Lithuanian Academy of Music and Theatre) – Auditório do DECA
10:30-11:00 Cofffee break
11:00-12:30

INDIVIDUAL SESSIONS (Chair: Luca Chiantore) – Anfiteatro João Branco

Cultural performance in refugee camps: an overview from art in general to choral practice in particular (Paper)
Ágata Ricca (Univeristy de Aveiro, Portugal)

Analysis of biomechanical methods for control and dynamics on the drum set (Paper)
Sandro Moreno; William Silva (Universidade Federal do Mato Grosso do Sul, Brazil)

Lydian Tonic: Harmonization at the electric bass inspired by the Lydian Chromatic Concept of Tonal Organization
Fausto Lessa Pizzol (Universidade de Aveiro, Portugal)
12:30-14:00 Lunch
14:00-15:00 INDIVIDUAL SESSIONS (Chair: Jorge Salgado Correia) – Estúdio de Som

Trumpet- Loops: To trumpet and live electronic (Live Looping and effects) (Lecture-performance)
Elielson Gomes; Alexander Jorge Duarte (Universidade de Aveiro/INET-md)

Approaching the unknown: What the hermeneutics can do for contemporary music?
Samuel Peruzzolo Vieira (Universidade de Aveiro/INET-md, Portugal)
15:00-16:00 Coffee Break
16:00-17:30

Round Table – Final Reflections on Artistic Research – Auditório do DECA

Darla Crispin (Nowergian Academy of Music)

Lina Navickaitė-Martinelli (Lithuanian Academy of Music and Theatre)

Jonathan Leathwood (Lamont School of Music, University of Denver)

Jorge Salgado Correia (University of Aveiro)
17.30-18:00 Break
18:00-19:30 Recitals: Thomas Viloteau & Hands-On Guitar Esemble (Conductor: Helen Sanderson)